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Joined 3 years ago
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Cake day: June 25th, 2023

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  • That Lemmy, as a network, should be highly exclusive and free of ‘normies’. I can understand someone wanting their own instance to be highly insular and controlled, but if the point of Lemmy is to build a web of community-driven sites which will pull people away from the corporatocratic current iteration, we can’t do that if we’re making people feel unwelcome if they don’t conform to our own little narrow wedge of views.

    There are definitely some absolutely wild political takes on Lemmy, even outside of .ml, which leave me feeling some people are completely off their rockers.



  • A Lazy Gun:

    A Lazy Gun is roughly half a metre long, 30 cm wide and 20 cm tall. On the front are two short cylinders that end in black lenses. A sight extends from the main body, as do two hand grips. A metallic strap allows the Lazy Gun to be fired from the waist. On one hand grip is a zoom control and on the other grip is a trigger mechanism. The Lazy gun is massy but light, and weighs three times as much when turned upside down. The Lazy Gun is the only weapon known to display a sense of humour.

    To fire the Lazy Gun, it is pointed at the target, zoomed in, and then the trigger is pulled. What happens next is unpredictable. When fired at humans, many different things may occur. An anchor may appear above the person, giant electrodes may appear on either side of the target and electrocute them or an animal may tear their throat out. Larger targets such as tanks or ships may suffer tidal waves, implosion, explosion, sudden lava flows or just disappear. When fired at cities and other such targets, thermonuclear explosions are the norm, although in one instance a comet crashed into the city.



  • Really, a lot of the prequel hate comes from them taking such a huge step down from the OT. In 1999, The Phantom Menace was the first major Star Wars film in 16 years; it wasn’t just a cool new thing, it was a cultural event. People expected great things.

    Obviously it failed at that. Not once, but twice. Revenge of the Sith barely even got a chance.

    And so the backlash was brutal. While the critique wasn’t unfair in its points, it also came from a perspective of starkly emotional disappointment. People say the prequels are looked at more fondly now due to ‘nostalgia’, but mostly I think it’s that the emotional pain has faded and we can analyze them more objectively as flawed, but ultimately solid films rather than ‘disasters’.

    It may be that one day the sequels will be more coldly studied as well, with more focus placed on the issues produced by cycling directorship and management pressures… but I also think even a coldly analytical appraisal of them will still come up as “hollow and emotionless”.