

Hard disagree. There’s a reason pro equipment still exists. Digital noise suppression is still noticeable in comparison to analog. It’s always better to start with a higher quality analog source and do the least amount of digital processing after.
Now, this is with the caveat that someone in an already isolated room with good acoustics can get away with a much cheaper microphone sounding comparable, but give some reflective surfaces in a room and make it non-symmetrical and now the advantage starts to amplify for good source audio.
Source: I’ve done audio production for a few stage plays and produced an album.




I had the displeasure of owning one of these and my god it was made of tin foil. Half the shit on that car would break just from driving it. My rear hatch would just open randomly when it was in the mood for instance.